Reading Tinberg
Friday, September 24th, 2004At John’s recommendation, I’m (finally) starting to read Howard Tinberg’s Writing and Knowing in the Two-Year College. I look up to John, and his recommendation is certainly enough for me, but I was talking with a compositionist colleague in the computer lab today, and my colleague — with some puzzlement — asked me, “But why are you interested in community colleges?”
It gave me pause. My initial reaction would have been to say, “Well, with my interest in socioeconomic class, why would I not be?” But what does that mean, really? How might an interest in class incline a university-based graduate student towards an interest in community colleges?
John and Cindy and others have talked about this before, of course, but the institutional blindness that university-based compositionists maintain towards teaching practices in two-year colleges continues to amaze me. Here at UMass Amherst, almost all students (seem to) have the same goal: a four-year degree. Such homogeneity of purpose is at least somewhat useful to me in defining the relatively homogenous economic ends that four-year students see their degrees as serving, but also dangerous, in that it helps students and faculty see both their purposes and the purposes of higher education in general as serving a rather homogenous and unified capitalist market economy. (OK: that conclusion is a big leap, and I’ll leave it open for further interrogation.)
On the other hand, students at two-year institutions constitute a far more diverse population, who envision far more diverse purposes for their educations. Some are there for accreditation, some to earn transfer credits, some for continuing education and career purposes, some simply for financial reasons, and so on. These purposes seem to me to much more adequately fit with the paradigm of the diverse and not-necessarily-capitalist economy posited by J. K. Gibson-Graham. In the very first paragraph of his Introduction, Tinberg confirms both my hopes and my fears vis-a-vis perceptions of the purposes of two-year colleges, naming the two missions of such institutions as being “to provide vocational training and to prepare students for transfer to colleges and universities” (vii). That’s pretty grim: we’re either creating a worker class or pushing students into the fancier schools. Yes, Tinberg addresses schools’ diversity of purposes, but he also sets up (or, perhaps more properly, perpetuates) a scary binary.
But at least he’s explicit about it. University-based compositionists, by and large, seem to me to happily and entirely ignore the “vocational training” aspect, or else take it for granted, as something not worth mentioning. So: is that perhaps due to the relative homogeneity of our classes, as compared to those of community colleges? My dissertation-blinkered perspective makes me want to holler that all of this is so, so economic in nature, and I’d be really grateful for either a confirmation or a reality check.
